Join us for the final concert of our 2018-2019 season!

In the final concert of its 2018-2019 season, The Boston Cecilia, under the direction of its Music Director George Case, presents American Modern: Songs of Love and Longing featuring acclaimed mezzo-soprano Margaret Lias and a seven-piece chamber orchestra to accompany the Cecilia chorus.
In the video, listen to a few of Cecilia’s singers as they speak some of their favorite lines from these texts. You will also hear a brief excerpt of the chorus rehearsing Fern Hill. And then come hear us sing these four pieces - all different in mood and texture - but alike in the vibrancy of the poetry. More information >>>


The Boston Cecilia will be hosting a glamorous evening of fun, festivities, and fellowship on  Saturday night, April 27th, at the Cambridge Multicultural Arts Center . You'll hear about our ambitious plans for next season and beyond, be thrilled by amazing entertainment featuring  mezzo-soprano Sophie Michaux , and have the chance to take home one-of-a-kind prizes from the auction. All while being part of a great coming together of Cecilia's most enthusiastic supporters.  Be sure to mark your calendars for a fabulous evening out!   Click here more details...    Purchase your Gala    tickets online    or by calling 617-232-4540.

The Boston Cecilia will be hosting a glamorous evening of fun, festivities, and fellowship on Saturday night, April 27th, at the Cambridge Multicultural Arts Center. You'll hear about our ambitious plans for next season and beyond, be thrilled by amazing entertainment featuring mezzo-soprano Sophie Michaux, and have the chance to take home one-of-a-kind prizes from the auction. All while being part of a great coming together of Cecilia's most enthusiastic supporters.

Be sure to mark your calendars for a fabulous evening out!

Click here more details...

Purchase your Gala tickets online or by calling 617-232-4540.


From the start, the chorus achieved a firm, transparent blend with a solid foundation and inner voices.
— Boston Classical Review, October 2018

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